High precision VCO with wide frequency range
Clean waves without edge aberrations
PW from 0%-100% with fast edges for rich sound
Low distortion SINE wave
SUB OSC with rich sound and phase inversion
RESET/SYNC function with external GATE
Buffered V/OCT & GATE thru
Simultaneous linear & exponential FM
LFO mode
Width: 12 HP
DOWNLOAD: THEMISTO manual
Two channel VCA with discrete core
Extra VCA for linear and exponential CV
Low noise, low feedthrough, low clicking
Very low distortion and gain of 2
Sweet and detailed sound, huge headroom
Wide dynamic range and high bandwidth
Normalized CV INs to the nominal value
3 ATTENUATORs for each channel
LEDs show the optimal range
VCA openness adjusting
Flexible structure to work with AUDIO & CV
Width: 16 HP
DOWNLOAD: SINOPE manual
2 x 6 CH high end AUDIO & CV MIXER
Superb sweet sounding audio quality
Low distortion, low noise, low feedthrough
DC coupled for use as ATTENTUATORs
Flexible routing for mono, stereo, 6- or 12 channels
Overload indicator for output
B-ch IN normalized to A-ch IN
Individual OUTs for channel 1-4
VOLUME sliders with gain of 2
Width: 20 HP
DOWNLOAD: SPONDE manual
Four Pole LOWPASS VCF with Moog and Sallen&Key Resonance
Powerful Sound from sweet to overdriven with lot of character
Simultan 24dB, 12dB & 6 dB Filter Outs
12dB State Variable Highpass Input Switch (150Hz)
Linear Resonance Distortion and Input Gain Stage
Make up Gain (Bass Boost) for Moog Style Resonance
Linear FM Input for audio Rate modulation and resonance CV IN
Keytracking In with 1V/Oct and Attenuator
Two exponential INs with Attenuators and CV THRU Outs
Width: 12 HP
Download: EUPORIE manual
Experimental RING MODULATOR
Low distortion, low noise, high headroom
Low X & Y feedthrough
Structure allows access to every input
Wide range of sounds (tremolo, metallic, waveshape)
AC coupled X input Attenuator
DC coupled X input Attenuator
DC OFFSET for DC, coupled X IN and Y IN
Mute CV & switch for DC INs with LED indicator
Positive OUT and negative OUT
Width: 12 HP
Download: PASIPHAE manual
PENTA SOUND SOURCE
ANALOG NOISE from RED, WHITE to BLUE NOISE
DIGITAL NOISE with RATE and S/H OUT
SQUARE WAVE from DIGITAL NOISE
32 TRANSIENT SAMPLES with 8bit mode for craziness
SAMPLEs with 16 RATCHED variations and wide TUNE range
6 VOICE SQUARE WAVE mix with wide TUNE range
32 combinations for CHORDS, DRONES and UNISON sounds
Analog Mixing and Filtering for SQUARE mix OUT
7 CV INs and 1 GATE IN
Width: 16 HP
Download:
Width: 12 HP
SIX VOICE FPGA based oscillator
Three pairs of DCOs controlled by CV&MIDI
MONO, 3 and 6 POLY VOICE mode
Internal&external SYNC, 3 RINGMODs
SINE/TRI/SAW/RAMP/PULSE WAVES
FREQ range from 0,1 Hz to 10 KHz
MIXER with AR-ENV in MIDI MODE
Modulation via 3 CV INs & DCO 4/5/6
Multiple MOD sources to one target
300 programs
TFT display & continuous potentiometer
Easy user interface for studio & live
Future features planned via SD Card update
EXPANDER for SINGLE OUTs
Width: 20 HP
LFO section
Waveform:
controlled/morphed manually via potentiometer or CV. Morphs from Pulse (20-50-90%) -> Sinus (720°) -> Ramp (720°) -> Triangle (680°)
Tempo:
controlled via potentiometer or CV. Center of potentiometer at: 4Hz +/- 8 Oktaves
Repeats:
controlled via potentiometer and reset in. Can be adjusted from 1-14 repeats and endless loop (takes effect after reset in)
ADSR can be mixed onto LFO with potentiometer
Sample and Hold:
LFO can be switched into S&H mode
can be toggled btw -5V to +5V and 0 to +10V via switch
1xCV for waveform, 1xCV for tempo, 1xReset
LFO has one positive and one negative CV output
one button to reset LFO (shared with ADSR)
ADSR section
continous exponentiell to linear response, controlled via potentiometer
16 different multi repeats of attacks, controlled via Attack and Decay sliders
loop mode from Attack to Release, controlled via switch
all settings get freezes to keep exact positions
4x30mm faders to control A, D, S and R segments
one button to reset ADSR (shared with LFO)
ADSR has one positive and one negative CV output, further one trigger out at endof attack, one trigger out at end of decay
1xGate in (>1V), four modulation inputs to control A, D, S, and R segments (0-5V)
General:
Width: 16 HP
DOWNLOAD: Kalyke manual
HIGH-END PREAMP
MIC and HI-Z INPUT MIX
Up to 80dB MIC GAIN
Low distortion and noise
High CMRR, sweet sound
Variable HI and LO PASS
PAD switch – 20dB
POLARITY switch
PHANTOM power
All switching is with relays
KOMBI jack IN
XLR, 6,3 & 3,5 mm OUTs
INDICATORs
Width: 12 HP
High precision VCO with wide frequency range
Clean waves without edge aberrations
PW from 0%-100% with fast edges for rich sound
Low distortion SINE wave
SUB OSC with rich sound and phase inversion
RESET/SYNC function with external GATE
Buffered V/OCT & GATE thru
Simultaneous linear & exponential FM
LFO mode
Width: 12 HP
DOWNLOAD: THEMISTO manual
Two channel VCA with discrete core
Extra VCA for linear and exponential CV
Low noise, low feedthrough, low clicking
Very low distortion and gain of 2
Sweet and detailed sound, huge headroom
Wide dynamic range and high bandwidth
Normalized CV INs to the nominal value
3 ATTENUATORs for each channel
LEDs show the optimal range
VCA openness adjusting
Flexible structure to work with AUDIO & CV
Width: 16 HP
DOWNLOAD: SINOPE manual
2 x 6 CH high end AUDIO & CV MIXER
Superb sweet sounding audio quality
Low distortion, low noise, low feedthrough
DC coupled for use as ATTENTUATORs
Flexible routing for mono, stereo, 6- or 12 channels
Overload indicator for output
B-ch IN normalized to A-ch IN
Individual OUTs for channel 1-4
VOLUME sliders with gain of 2
Width: 20 HP
DOWNLOAD: SPONDE manual
Four Pole LOWPASS VCF with Moog and Sallen&Key Resonance
Powerful Sound from sweet to overdriven with lot of character
Simultan 24dB, 12dB & 6 dB Filter Outs
12dB State Variable Highpass Input Switch (150Hz)
Linear Resonance Distortion and Input Gain Stage
Make up Gain (Bass Boost) for Moog Style Resonance
Linear FM Input for audio Rate modulation and resonance CV IN
Keytracking In with 1V/Oct and Attenuator
Two exponential INs with Attenuators and CV THRU Outs
Width: 12 HP
Download: EUPORIE manual
Experimental RING MODULATOR
Low distortion, low noise, high headroom
Low X & Y feedthrough
Structure allows access to every input
Wide range of sounds (tremolo, metallic, waveshape)
AC coupled X input Attenuator
DC coupled X input Attenuator
DC OFFSET for DC, coupled X IN and Y IN
Mute CV & switch for DC INs with LED indicator
Positive OUT and negative OUT
Width: 12 HP
Download: PASIPHAE manual
PENTA SOUND SOURCE
ANALOG NOISE from RED, WHITE to BLUE NOISE
DIGITAL NOISE with RATE and S/H OUT
SQUARE WAVE from DIGITAL NOISE
32 TRANSIENT SAMPLES with 8bit mode for craziness
SAMPLEs with 16 RATCHED variations and wide TUNE range
6 VOICE SQUARE WAVE mix with wide TUNE range
32 combinations for CHORDS, DRONES and UNISON sounds
Analog Mixing and Filtering for SQUARE mix OUT
7 CV INs and 1 GATE IN
Width: 16 HP
Download:
Width: 12 HP
SIX VOICE FPGA based oscillator
Three pairs of DCOs controlled by CV&MIDI
MONO, 3 and 6 POLY VOICE mode
Internal&external SYNC, 3 RINGMODs
SINE/TRI/SAW/RAMP/PULSE WAVES
FREQ range from 0,1 Hz to 10 KHz
MIXER with AR-ENV in MIDI MODE
Modulation via 3 CV INs & DCO 4/5/6
Multiple MOD sources to one target
300 programs
TFT display & continuous potentiometer
Easy user interface for studio & live
Future features planned via SD Card update
EXPANDER for SINGLE OUTs
Width: 20 HP
LFO section
Waveform:
controlled/morphed manually via potentiometer or CV. Morphs from Pulse (20-50-90%) -> Sinus (720°) -> Ramp (720°) -> Triangle (680°)
Tempo:
controlled via potentiometer or CV. Center of potentiometer at: 4Hz +/- 8 Oktaves
Repeats:
controlled via potentiometer and reset in. Can be adjusted from 1-14 repeats and endless loop (takes effect after reset in)
ADSR can be mixed onto LFO with potentiometer
Sample and Hold:
LFO can be switched into S&H mode
can be toggled btw -5V to +5V and 0 to +10V via switch
1xCV for waveform, 1xCV for tempo, 1xReset
LFO has one positive and one negative CV output
one button to reset LFO (shared with ADSR)
ADSR section
continous exponentiell to linear response, controlled via potentiometer
16 different multi repeats of attacks, controlled via Attack and Decay sliders
loop mode from Attack to Release, controlled via switch
all settings get freezes to keep exact positions
4x30mm faders to control A, D, S and R segments
one button to reset ADSR (shared with LFO)
ADSR has one positive and one negative CV output, further one trigger out at endof attack, one trigger out at end of decay
1xGate in (>1V), four modulation inputs to control A, D, S, and R segments (0-5V)
General:
Width: 16 HP
DOWNLOAD: Kalyke manual
HIGH-END PREAMP
MIC and HI-Z INPUT MIX
Up to 80dB MIC GAIN
Low distortion and noise
High CMRR, sweet sound
Variable HI and LO PASS
PAD switch – 20dB
POLARITY switch
PHANTOM power
All switching is with relays
KOMBI jack IN
XLR, 6,3 & 3,5 mm OUTs
INDICATORs
Width: 12 HP